"Ob-La-Di, Ob-La-Da" | ||||||||
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Song by The Beatles from the album The Beatles | ||||||||
Released | 22 November 1968 | |||||||
Recorded | 3 July 1968, EMI Studios, London |
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Genre | Rock, pop,[1] ska[2] | |||||||
Length | 3:07 | |||||||
Writer | Lennon–McCartney | |||||||
Producer | George Martin | |||||||
The Beatles track listing | ||||||||
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"Ob-La-Di, Ob-La-Da" | |
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Single by The Marmalade | |
B-side | "Chains" |
Released | 1968 |
Format | 7" vinyl record |
Genre | Pop |
Label | CBS |
Producer | Mike Smith |
Certification | #1 UK |
"Ob-La-Di, Ob-La-Da" | ||||
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Single by The Beatles | ||||
B-side | "Julia" | |||
Released | 8 November 1976 (US) | |||
Format | vinyl record 7" | |||
Label | Capitol 4347 | |||
The Beatles singles chronology | ||||
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"Ob-La-Di, Ob-La-Da" is a song credited to Lennon–McCartney, but written by Paul McCartney and released by The Beatles on their 1968 album The Beatles (also referred to as The White Album). It was released as a single that same year in many countries, but not in the United Kingdom, nor in the United States until 1976.
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Paul McCartney wrote the song around the time that highlife and reggae were beginning to become popular in Britain. The tag line "ob-la-di, ob-la-da, life goes on, bra" was an expression used by Nigerian conga player Jimmy Scott-Emuakpor, an acquaintance of McCartney.[3]
The song is in the key of B flat and written in 4/4. The alternative version on Anthology 3 is in the key of A major.
During May 1968, The Beatles gathered at George Harrison's Esher home, in Surrey, to record demos for their upcoming project. "Ob-La-Di, Ob-La-Da" was one of the twenty-seven demos recorded there. Paul performed this demo solo, with only an acoustic guitar. He had also double-tracked his vocal, which was not perfectly synchronised, creating an echoing effect.
According to studio engineer Geoff Emerick, John Lennon openly hated the song, calling it "Paul's granny shit".[4] Lennon left the studio during a recording of the song (after several days and literally dozens of takes of the song, trying different tempos and styles), then returned while under the influence of marijuana, went immediately to the piano and played the opening chords much louder and faster than before. He claimed that was how the song should be played, and that is the version they ended up using.[5]
When singing the vocals for the song, specifically the last verse of the song when sung the second time, McCartney made a slip and said "Desmond stays at home and does his pretty face", rather than Molly, and had Molly letting "the children lend a hand". Reportedly, this mistake was kept in because the other Beatles liked it.[6] George Harrison and Lennon yell "arm" and "leg" during a break in the song; between the lines "...Desmond lets the children lend a hand" and "Molly stays at home..."[7]
The lyrics for "Savoy Truffle", composed by Harrison and also on The Beatles, include the line "We all know ob-la-di-bla-da, but can you show me where you are."[8]
The intro of this song is heard on the Beatles' 1968 Christmas Record.
"Ob-La-Di, Ob-la-Da" was released on The Beatles on 22 November 1968.[9] In the US, in 1976, it was released as a single with "Julia" as the B-side.[10] An alternative version, known as "Take 5", was released on Anthology 3 in which the horns are much more prominent.
The first time the song was performed live by any of The Beatles was on 2 December 2009, when McCartney played the song in Hamburg, Germany on the first night of a European tour.[11] McCartney also performed the song in Hyde Park on 27 June 2010 as part of the Hard Rock Calling event, and the song was well received by the crowd. He also added it as a number in the Latin American Leg of the Up and Coming Tour. In 2011, the song is also performed during Paul McCartney's On The Run Tour.
The song was well received, going to number one in singles charts in Austria, Switzerland, Australia and Japan. In the UK and Norway (where it had not been released as a single by The Beatles), a cover version by The Marmalade also made number one.
Scott later tried to claim a writer's credit for the use of his catch phrase in the song; McCartney claimed that the phrase was "just an expression". Scott argued it was not a general expression, but merely an expression that was exclusively used in the Scott-Emuakpor family. Scott agreed to drop the case when McCartney agreed to pay Scott's legal expenses for an unrelated issue.[6]
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Chart (1969) | Peak position |
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UK Singles Chart[13] | 1 |
Austrian Singles Chart[22] | 1 |
Norwegian VG-lista Singles Chart[23] | 1 |
Swiss Singles Chart[24] | 2 |
Preceded by "Lily the Pink" by The Scaffold "Lily the Pink " by the Scaffold |
UK number one single (Marmalade version) 1 January 1969 15–22 January 1969 |
Succeeded by "Lily the Pink " by the Scaffold "Albatross" by Fleetwood Mac |
Preceded by "Fru Johnsen" by Inger Lise Rypdal |
Norwegian VG-lista number-one single (Marmalade version) 05/1969-12/1969 |
Succeeded by "Oj, oj, oj så glad jeg ska bli" by Kirsti Sparboe |
Preceded by "Little Arrows" by Leapy Lee |
Ö3 Austria Top 40 number-one single (Marmalade version) 15 February 1969 |
Succeeded by "Ob-La-Di, Ob-La-Da" by the Beatles |
Preceded by "Ob-La-Di, Ob-La-Da" by Marmalade |
Ö3 Austria Top 40 number-one single (The Beatles version) 15 March - 15 April 1969 |
Succeeded by "Proud Mary" by Creedence Clearwater Revival |
Preceded by "Eloise" by Barry Ryan |
Swiss Music Charts number-one single (The Beatles version) 28 January - 4 March 1969 |
Succeeded by "Crimson and Clover" by Tommy James and the Shondells |
Preceded by "I Started a Joke" by the Bee Gees |
Australian Kent Music Report number-one single (The Beatles version) 8 March - 12 April 1969 |
Succeeded by "Where Do You Go To (My Lovely)" by Peter Sarstedt |
Preceded by "Manchester and Liverpool" by Pinky and the Fellas "Manchester and Liverpool" by Pinky and the Fellas |
Japanese Oricon International Chart number one single (The Beatles version) 7–28 April 1969 12–19 May 1969 |
Succeeded by "Manchester and Liverpool" by Pinky and the Fellas "La Pioggia" by Gigliola Cinquetti |
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